đĄ 5 Photo Tips That Actually Help
- Miley Jade
- Jul 22
- 4 min read

Letâs be real: most photography âtipsâ online are either so technical they require a translator, or so vague they might as well say, âJust follow your heart and adjust your shutter speed based on the emotional temperature of the moment.â đ
What you actually need are tips that work in the wildâwhere you're sweating through your shirt at a midday wedding, trying not to trip over a toddler or your own insecurities.
So here it is. No fluff. No gear shaming. No âbokehlicious.â Just five sarcastically filtered, field-tested tips that might actually make you a better photographer.
đž 1. How to Shoot in Harsh Light Without Crying
Spoiler: The sun is not your friend. Especially at high noon when shadows become weapons and highlights turn people into sweaty disco balls.
Hereâs what you actually do:
Find Open Shade. Not dark shadeâopen shade. Under a tree, next to a building, or even a bounce from a white wall. Diffused light = less regret.
Backlight the Subject. Place the sun behind your subject and expose for their skin. Youâll blow out the background but get soft rim light and less squinting. Boom. Drama.
Use Spot Metering. Switch from matrix/evaluative metering to spot. Point it at their cheek and adjust exposure accordingly. The histogram will scream, but your subject will look amazing.
Raise Your Shutter Speed. Shooting wide open at f/1.8 in full sun? Youâll need a fast shutter speedâlike 1/4000 sec or higher. Bonus points if your camera doesnât cry about it.
And seriouslyâstop yelling at the sun. Youâre not going to win.
đŻ 2. Why Composition Matters More Than Gear
If gear were everything, every dentist with a mirrorless camera would be Ansel Adams. Theyâre not. (Sorry, Dr. Greg.)
Hereâs why composition trumps tech:
Negative Space & Leading Lines. Use your environment. Roads, railings, arms, shadowsâanything can guide the viewerâs eye. Practice using space to isolate your subject instead of cramming everything into the frame like a panic attack.
The Rule of Thirds Exists for a Reason. Put that subject slightly off-center unless youâre intentionally breaking the rule (and even then, be cool about it).
Watch Your Backgrounds. Tree branches will grow out of peopleâs heads if youâre not careful. Zoom in. Reframe. Move your feet.
Also, your camera doesnât have a âmake it look less clutteredâ button. Thatâs your job.
đŠ 3. How to âSeeâ Light Like a Photographer
(Without Becoming a Pretentious Nightmare)
Being able to âsee lightâ sounds mystical, but really itâs about observation and repetitionânot wizardry.
Understand Directional Light. Is it coming from the side? Front? Back? That affects how features are defined. Side light adds depth. Flat light reduces texture. Know when to use each.
Hard vs. Soft Light. Direct sun = harsh, crisp shadows. Overcast or bounced light = soft, dreamy feels. You canât change the weather, but you can change your angle.
Use the Inverse Square Law (Light Nerd Alert). The farther your subject is from the light source, the softer and less intense the light becomes. Yes, itâs physics. Yes, it actually matters.
Ohâand youâll know youâre officially âseeing lightâ when you start moving plants and lamps in peopleâs homes without asking. Welcome to the club.
đ· 4. Your Camera Isnât Smarter Than You (Even If It Thinks It Is)
Auto Mode is like cruise controlâit works until it doesnât. You need some control.
Use Aperture Priority (A/Av). You choose the f-stop (aka how blurry you want the background), and your camera handles the shutter. Want creamy bokeh? Go wide (f/1.8âf/2.8). Want everything in focus? Stop down (f/8âf/11).
Master Exposure Compensation. Your camera meters for middle gray. If you're shooting someone in a white dress? Bump it up +1 or +2 EV. Dark skin tones or backlit scenes? Adjust accordingly. The little +/- button is magic. Use it.
Shoot in RAW. Because one day you will mess up the white balance and youâll thank yourself.
And letâs be real: your cameraâs Auto White Balance is like a moody teenâit changes its mind constantly and canât be trusted.
đ€Ą 5. Stop Waiting to Be âGood Enoughâ to Start
Perfection paralysis is realâand wildly overrated
Your First 10,000 Shots Will Probably Suck. Thatâs not me being meanâthatâs a quote (and also true). Embrace the suck. Shoot anyway.
You Learn by Doing. Not by watching endless YouTube videos on color grading. Go out. Make mistakes. Learn why it didnât work. Repeat.
Print Your Work. Itâll humble you in ways your screen never will. (Also, printers are evil and this is how you fight them.)
Truth: Even the pros still Google stuff. The difference is they charge while doing it.
đ€ Final Thought:
Photography is part science, part sorcery, part âwell, that kinda worked.â You donât need perfect conditions, the best lens, or a monk-like devotion to YouTube tutorials. You just need curiosity, some stubbornness, and a willingness to get weird with it.
Now go shoot something. Especially if you donât feel ready.
Because thatâs when the magic sneaks in.



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